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Possible definitions for zadruga
madrigal
Form of vocal chamber music, usually polyphonic and unaccompanied, of the 16th-17th cent. It originated and developed in Italy, under the influence of the French chanson and the Italian frottola. Usually written for three to six voices, madrigals came to be sung widely as a social activity by cultivated amateurs, male and female. The texts were almost always about love; most prominent among the poets whose works were set are Petrarch, T. Tasso, and B. Guarini. O. di Lassus, L. Marenzio, C. Gesualdo, and C. Monteverdi were among the greatest of the Italian madrigalists; T. Morley, T. Weelkes, and J. Wilbye created a distinguished body of English madrigals.
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